摘要： 本文将从多元性的主题形态、多项性的答题方式、织体构成的多面性、赋格结构的多样性四个方面分析说明本特松的《平均律钢琴曲集》，进一步揭示其赋格曲创作思维。并希望通过笔者的分析、研究，引起学术界对现代复调技法与古老复调体裁——赋格曲相结合的关注，进一步深入了解和认识。并为丰富现代复调的教学内容及现代音乐的创作，提供某种参考。

　　关键词： 本特松；复调；赋格曲；《平均律钢琴曲集》；创作思维

Research on Bentzon’s Fugues in Det tempererede Klaver 

ZHANG Yao

　　Abstract: This paper will form the theme of diversity, a number of the answer, the texture of a multi-faceted, Fugue in the diversity of the four ，to analyze  Bentzon’s “THE TEMPERED CLAVIER”op.157.Further reveals his Fugue in creative thinking. And I hope that through the analysis, research, academic right from the modern and ancient techniques Polyphony Polyphonic Genre - Fugue combination of concern, further in-depth understanding and knowledge. And for the rich polyphony of modern teaching content and the creation of modern music, providing a reference.

　　Key Words: Niels Viggo Bentzon (1919-2000), polyphony, fugue, Det tempererede klaver, creation thought