摘要：《乐记》作为中国音乐美学史和儒学思想史上的一部重要文献，其成书与作者问题一直是学术史上聚讼的热点问题，但很少有学者从版本流传、文献采辑和文本的思想重建入手对其进行深入研究。《乐记》在先秦并未成书，而是经河间儒学集成以往文献成果，进行创造性的思想重建而完成。作为河间古文经学核心，其与河间诸经一样被长期禁抑，不能被公开授受，以致流传线索或隐或现，存在着中秘本、河间王禹本和礼学博士私授本等多个版本流传，虽不尽相同，但基本保存了河间“天礼之学”的儒学重构体系。

　　关键词：《乐记》；版本流传；文本重建；成书

Discuss the Yueji Becoming a Book from the Spread of Version and the Creative Reconstruction of the Text

Cheng Zu-ming

　　Abstract: "Yueji" as a important documents of the history of Chinese music theory and Confucianism, the question of its author and becoming a book have been a very hot issue in the academic history, but few scholars investigate it deeply from its versions’ spread in the Han Dynasty and its adopted documents and creative reconstruction of the text. Criticizing literatures in the details, "Yueji" doesn’t become into a book in the pre-Qin, it isn’t accomplished untill Hejian Confucians creatively integrate many literatures and reconstruct the text in the center of Hejian Confucianism of Han Dynasty. As a core book of Hejian classics, it also has been forbidden and restrained, doesn’t be permit to teach and study openly in the long time, so that the clues about its spread have been caliginous, which spread exists the multiple versions such as the Palace Secret version, Hejian Wangyu version and the private keeping version of the ritual doctors and so on. Although they have some deferent, they all keep basically a Confucian system called "studies of Heaven-Rites” which is the reconstructing Confucian system of Hejian.

　　Key Words: the Spread of Version; Reconstruction of the Text; "Studies of Heaven-Rites” of Hejian; Yueji Becoming a Book