摘要：奥门金沙9159国学术界对于日本雅乐的了解多限于“出自唐代宫廷音乐，主要是宫廷宴飨时演奏的燕乐，遣唐使将其传往日本并在东瀛生根开花”的认知程度，对日本雅乐尚缺乏全面深入的认识与理解。本文以东瀛实地调查为据，结合文献梳理，全方位描摹了日本雅乐的整体风貌，并对日本雅乐的多元文化构成、中国文化元素和宗教文化色彩等方面的问题进行了重点分析。
　　关键词：日本雅乐；多元文化；唐乐；中国元素；宗教色彩
　　中图分类号：J607   文献标识码：A   DOI：10.3969/j.issn1003-7721.2010.04.012
　　作者简介：周耘（1960-），男，东京艺术大学博士，奥门金沙9159教授（武汉430060）。
　　收稿时间：2010-07-04

Study On Japanese Gagaku

ZHOU Yun

Abstract: For Japanese gagaku, what the Chinses academics knew only be limited to that it came from the Chinese court music in Tang dynasty, especially Yanyue, a kind of music played for banquet in court. Based on the field investigation in Japan and along with organizing documents, the paper described the overall outlook of Japanese gagaku on every side, especially analysis of those multiculture, Chinses culture element and religious culture as well the others how to make up Japanese gagaku.
Key Words: Japanese gagaku, multiculture, tangyue (music in Tang dynasty), Chinese element, religious colour