摘要：交响思维是作曲家创作时所运用的一种较为高级的思维模式。古典以降，交响思维模式就已形成并趋于成熟，成为古典主义和浪漫主义时代一个基本的创作思想，指导着作曲家们的创作。这是一种开放性的思维模式，随着时代审美趣味的变迁，它也随之变化，并融合于各个时代整体的艺术理念中。坎切力（Ghiya Kancheli）是格鲁吉亚最为出名的作曲家，于20世纪80年代蜚声国际。他在国内创作的7部交响曲奠定其国际地位，尤其是其最后三部交响曲，集中代表了作曲家的创作风格和审美趣味。坎切力交响思维中的主要因素是核心材料的运用、强力爆发阶段和沉思冥想阶段的交替循环等等，通过这些来制造冲突矛盾，体现鲜明的交响性。
　　关键词：坎切力（Ghiya Kancheli）；格鲁吉亚作曲家；交响思维；强力爆发结构部分；循环结构
　　中图分类号：J614.3     文献标识码：A   DOI: 10.3969/j.issn1003-7721.2010.04.004
　　作者简介：檀革胜（1977-），男，文学博士，华侨大学音乐舞蹈学院讲师（厦门 361021）。
　　收稿时间：2010-03-15

On the Kancheli’s Symphonic Thoughts: Based on the examples of His Last Three Symphonies  

TAN Ge-sheng

Abstract: The symphonic thinking is a high-level pattern while the composer is creating a work. The model of symphonic thinking had come into being and drived to maturity stage in the Classical Period, and it was the basic ideas guiding the composers’ creation in music during the periods of Classical and Romanticism. Giya Kancheli is a Georgian composer, and his is one of the few who has been able to find his own place in late 20th-century music and to become known worldwide. Kancheli has written seven symphonies, which established his international position, especially the last three embodied composer’s creative style and aesthetic taste. The main element in Kancheli’s symphonic thinking is the usage of core materials, stage of abrupt cuts, and passage of deep thought alternately in cycle. The conflicting drama and extreme emotional states prevalent in his symphonies, which form the core of his output, are also a feature of his lively symphonism.
Key Words: Giya Kancheli (1935~), Georgian composer, symphonic thinking, structural part of abrupt cuts, cycle structure