摘要：20世纪六七十年代，叙事学学科在保持其自身的理论特征和特有的理论模式的基础上，开始显现跨学科、跨媒体的趋势。它与诸多外在因素相关联，跳出长期以来将其自身限定于叙述文本内在的相对封闭式研究的巢臼，发展成融会贯通、纵深发展的局面。音乐叙事学正是在叙事学的跨学科研究背景下逐渐进入学者们的视野。本文试图梳理和探讨音乐叙事学的由来、发展及其演进轨迹，从而探究音乐叙事学的根源、特性以及研究动态等相关问题。
关键词：叙事；文学叙事；叙事理论；音乐叙事学；音乐分析；音乐释义
中图分类号：J60-05 文献标识码：A DOI:10.3969/j.issn1003-7721.2010.02.000
作者简介：王旭青（1977-）女，文学博士，杭州师范大学音乐学院讲师（杭州310007）
The Historical Track of Music Narratology
WANG Xu-qing
Abstract: Based on keeping up own academic features and individual theory patterns, the subject of narrative has been showing the tendency of interdiscipline and intermedia since 1960s. It related to numbers of external elements, developed to a situation of thoroughly master and researching in depth. The music narratology come into scholar’s view under the background of interdiscipline on narratology. The author organized and explored the music narratology with its origin, development, and evolutional trace in the papers, to research the issues of music narratology: the source, features, and state of study as well.
Key Words: music narratology, narrative, literary narrative, narrative theory, musical analysis, music paraphrasing
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