摘要：西方基督教教会自复调音乐产生以来，对复调技法的发展一直抱以十分关注的态度。一则是因为基督教音乐孕育了西方传统复调技法，其次是因为西方宗教音乐创作者喜欢用复调技法创作宗教音乐作品。基督教信仰在西方深入人心，宗教音乐的市场需求量极大，再加上宗教音乐体裁为复调音乐提供了实践的场所，为作曲家的复调音乐创作带来了展示平台和创作信心上的支持，也因此复调技法得到了飞速的发展。
关键词：基督教；宗教音乐；复调；关系
中图分类法：J609.3 文献标识码：A DOI:10.3969/j.issn1003-7721.2010.02.000
作者简介：王茕（1979~），男，文学硕士，上海交通大学人文学院艺术教育中心助教（上海 200240）。
On the Polyphony and Religious Music Relationship
WANG Qiong
Abstract: The Christian Church had been concerned the development of counterpoint technique since counterpoint music come into being. One reason for that was Christian music come directly from the Western traditional counterpoint technique, secondly the composers of Western religious music preferred to use the counterpoint technique to create the word of religious music. The Christian Faith was prevailed among the Western people, and the religious music market demand was great, furthermore, the genre of religious music provided a practical opportunities for the counterpoint music, srpported the composers’ confidence to create the counterpoint work that speed up development of counterpoint technique as well.
Key Words: Christianity, religious music, polyphony, relationship
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