摘要：从室内乐的角度观察，黎英海声乐套曲《唐诗三首》，继承了德奥艺术歌曲“强调声乐与钢琴两个声部构思的整体性”的基本创作原则。文章从音高集合分析方法入手，试图透过对作品音高组织和声部关系的剖析，实现对作品整体的关照，进而揭示作品在形成方面严谨的同构关系，加深对作品内在逻辑关系的认识程度。
关键词：黎英海；声乐套曲；《唐诗三首》；音高组织；声部关系
中图分类号：J614.3 文献标识码：A
作者简介： 钦丽丽（1964-），文学硕士，杭州师范学院音乐艺术学院副教授，硕士生导师。
收稿时间：2009-02-20
Analysis the Pitch Structure and Voices Relationship in Three Tang Poems by Li Yinghai
QIN Lili
Abstract: From the viewpiont of chamber music to observe Li Yinghai’s vocal cyclic Three Tang Poems, it showed the composer succeed the basic principle of German Lied, which stressed on both of the singing part and piano one considered in the whole. Based on analysis the pitch class, the papers discussed their pitch structure and voices relationship, and explained the work with its strict isomorphic relations, which could help to realise the inner logical relatio of the works.
Key Words: Li Yinghai (1927~2007), vocal cyclic, Three Tang Poems, pitch structure, voices relationship
鄂公网安备 42010602001138号
