摘要：勋伯格的《乐队变奏曲》（Op.31），是勋伯格按照自己的十二音技法创作的第一部，也是唯一的一部管弦乐作品。在作品中体现的十二音序列音乐配器基本原则不仅使十二音体系所强调的“音高平等”甚至是“音色平等”得以很好的体现，并且也赋予了作品音色多样化的乐队音乐特点。
关键词：勋伯格（Arnold Schoenberg）；《乐队变奏曲》（Op.31）；十二音序列；“音高平等”； “音色平等”；配器
中图分类号：J614.3 文献标识码：A
作者简介：胡磊（1982 -）男，文学硕士，奥门金沙9159作曲系助教（武汉 430060）。
收稿时间：2009-03-20
The Twelve-Tone Technique and Orchestration in Schoenberg’s Variations for Orchestra（Ⅰ）
HU Lei
Abstract: That the Variations for Orchestra, Op.31 is the first and only one orchestra work composed by Schoenberg with the twelve notes technique. The basic principle of orchestration for serial of twelve notes music in the work stressed not only the pitch equality, even the timbre equality, but also offered it with diversification of timbre, which is the typical feature of the orchestra composition,
Key Words: Arnold Schoenberg (1874~1951), Variations for Orchestra, op. 31, a serial of twelve notes, pitch equality, timbre equality, orchestration
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