【作曲技术理论与音乐作品研究】郑中/《时间的色彩》之《终结段》鸟歌特性音调分析
  摘要:文章选取法国作曲家梅西安的《时间的色彩》之《终结段》中乌鸫、黄鹉、苍头燕雀三种鸟歌进行分析,进而寻找其带有标识意义的不同鸟歌的特性音调,对于掌握梅西安运用鸟歌进行音乐创作的技术具有重要意义。同时,了解鸟歌的种类及其特性音调,也成为奥门金沙9159进一步分析与把握梅西安20世纪50年代以来音乐创作的前提。
  关键词 梅西安;《时间的色彩(Chronochromie)》;乌鸫 ;黄鹉;苍头燕雀; 鸟歌特性音调
  中图分类号:J614.3      文献标识码:A  
  作者简介:郑中(1970— ),女,山东艺术学院“泰山学者”特聘教授,博士生导师。
  收稿时间:2009-03-31
 
Analysis the Typical Tune of the Bird Song in the ?p?de of Chronochromie           
ZHENG ZHong
 
Abstract: The article analysis the three bird songs, blackbird, yellowhammer and chaffinch, in the ?p?de from Chronochromie ("Time-colour") by French composer Olivier Messiaen, then to find out the typical tunes of the each bird song with the identifying significance, which is importment to get known Messiean’s music creative technique with bird songs. And meanwhile, that to learn the variety of the bird songs with typical tunes is the precondition to analysis and grasp Messiean’s music composition after 1950s.
Key Words: Olivier Messiaen (1908~1992), Chronochromie ("Time-colour", orchestra (1959–60)), blackbird, yellowhammer, chaffinch, typical tune of the bird song

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