【音乐美学】冯长春、冯春玲/中国近代科学主义音乐思潮探析
  摘 要:科学主义音乐思潮肇始于清末民初之际,崛起于五四新文化运动时期。科学主义音乐思潮与学习西乐思潮密切相关,其文化结果是以西方音乐理论与方法改造旧有国乐、创造中国新音乐。抗战时期科学主义音乐思潮在延续的同时也引发了对它的初步反思。科学主义音乐思潮推动了新音乐文化的发展,使得音乐在近代中国终于取得了作为一门独立学科或科学的合法地位,但同时也导致了欧洲音乐中心论在中国的传播和科学精神的丧失等消极影响。
  关键词:近代;科学;理学;学理;科学主义;音乐思潮
  中图分类号: J601 文献标识码:A    
  作者简介:冯长春(1971— ),男,音乐学博士,山东师范大学音乐学院教授,上海音乐学院在站博士后;冯春玲(1977— ),女,音乐学硕士,中华女子学院山东分院教育学院讲师(济南250014)。
  收稿时间:2009-04-21
 
Explore the Modern Scientism of Music Thought in China
 
FENG Chang-chun & FENG Chun-ling
 
 
Abstract: That the modern scientism of music thought in China was inchoation during the end of Qing Dynasity and early of Republic of China, group up in the perod of May 4th new Chinese cultural movement. The modern scientismof music thought was close to study the West music thought., the cultural result was to rebuild the old Chinese music with the West music theory, to create the Chinese new music. During the period the War of Resistance Against Japan, it continued the modern scientism of music thought and meanwhile triggered the first profound consideration on itself. The modern scientism of music thought in China promoted the development of the new Chinese cultural movement, which made the music a status as individual subject in China in the modern times, on the other hand, it also had some negative effect on lose the spirit of science and take the European music as the center spreading in China.
Key Words: modern times, science, Natural Science, scientism, music thought
 

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