摘 要：音乐会练声曲，既包含复杂的演唱技巧，又具有高度的艺术性。与一般的艺术歌曲相比，没有歌词的音乐会练声曲更加要求诠释者充分展示作品旋律的艺术魅力。尽可能仔细地分析、研究作品的旋律结构形态，对于准确妥帖的展现作品的旋律魅力具有相当重要的意义。而对于享有盛誉的拉赫玛尼诺夫的练声曲op.34，no.14来说，这更是必不可少的前提。文章在分析拉赫玛尼诺夫《练声曲》旋律结构及器乐化陈述——发展的手法的基础上，探讨了绵延不断的主题乐思的陈述、发展与旋律演唱技巧之间的高度融合的关系，为完美的诠释该作品做理论与技术上的准备,既对演绎这首作品起到指导作用，也对深入研究音乐会练声曲起到良好的促进作用。
　　关键词：拉赫玛尼诺夫；音乐会练声曲；演唱 
　　中图分类号：J616.11                 文献标识码：A
　　作者简介：龚叶（1975～），女，文学硕士，奥门金沙9159声乐系讲师， 2003年被国家留学基金委员会选为艺术类访问学者后赴俄罗斯圣彼得堡林姆斯基?科萨科夫音乐学院学习（武汉 430060）。
　　收稿时间：2008-10-20  

On Rachmaninoff’s Vocalise: Its Composition and Singing 

GONG Ye

　　Abstract: As a concert piece, the vocalise is not just exercise to solve the technical problems but genuine composition would be performed in a more artistic manner. Compared with common art songs, the vocalise is a melody without words, therefore, it required the singer full represent the artistic attribute of the charming melody. That to analyze and research the melodic structural form of the work is very significance to show the melody line perfectly. The paper deals with Rachmaninoff’s Vocalise, Op.34, No.14 with its melodic structure, which like a solo instrument exposited-developed method, and analyze the music ideas of the theme, its relationship with the melody performance technique. It is not only help the singers performance the work perfectly, but also promoted to further research the concert vocalise.
　　Key Words: Serge Rachmaninoff (1873 ~ 1943), Vocalise, Op.34, No.14 (rev.1915), singing