孙胜华

摘要：纯音乐是19世纪重要的音乐命题，常常作为标题音乐对立面而存在。它既与音乐史学现象特别是纯器乐交响曲的发展紧密联系，又关乎此时的音乐美学潮流，尤其体现在瓦格纳和汉斯立克的美学思想中。文章从美学和史学结合的角度试图揭示纯音乐的历史实质，以期进一步认知和评估其历史价值。

关键词：纯音乐；瓦格纳；汉斯立克

The Historical Connotation of “Absolute Music”

SUN Sheng-hua

Abstract: The absolute music is an important musical proposition in 19th-century, and it is frequently existed as the opposite of the programme music. It is not only closely linked to the development of music historical phenomenon especially purely instrumental symphony, but also related to the trend of music aesthetics at that time, particularly reflected in the Wagner and Hanslick’s aesthetic thoughts. From the perspective of combination aesthetics with history, this paper tried to reveal the historical essence of absolute music, in order to further cognitive and evaluate its historical value.

Key Words: absolute music, Richard Wagner (1813-1883), Eduard Hanslick (1825-1904)