Special Topic on the 30th Anniversary of Huang Zhong

Summary of the 30th Anniversary of Huang Zhong and the 9th Symposium on Music Academic periodical / CAO Yan

Research on the Theory of Chinese Music

The Berlin School of Comparative Musicologists and Chinese Music: The Case of Erich Moritz von Hornbostel / GONG Hongyu

Chinese Folk Songs - Special Lecture in “Early Spring Academy” / TIAN Qing

Region, Time and Farming——Interpretation of the Song of Jieqi (Solar Period) / WANG Lin

Research on the Theory of Compositional Technique

A Survey of the Inherent Relationships of Compositional Concepts (1890-1945)——Introduction to the Course of Techniques and Analyses on Western Contemporary Music/ GUO Xin

On the Relationship Between Tune and Rhythm——Analysis of the Essence of the Melodic “Unity” Under the Reference Frame of the Mode Logic Control Force / PU Hengjian

The Expression of Divinity and the Modern Consciousness in John·K·Tavener’s Holy Minimalism Music / XU Chen

Talking about Music Creation: With Graduate Composers at Shanghai Conservatory / ZHOU Qinru

Research on Chinese Music History

The Paragraphs of Nichang Yu Yi Qu/ DING Qiuyi

On Ren Zhongmin’s Contribution to the “Music and Literature in Tang Dynasty”——To Take JiaoFang Ji Jian Ding for an Example / LIU Shuo

Music Editing

The Significance of Labeling Music Texts and Study on its Method / CHEN Quanyou

Musical Esthetics and Music Pedagogy

Stephen Davies’ Musical Ontology and its Limitations / WANG Wenzhuo

On the Violin Course Setting and its Characteristics in College-Conservatory of Music in the University of Cincinnati / ZHANG Ying

Research Review and Activity Summary

Inherit Academic Research Context, Show the World’s Musical Style——Commentary of The Sixth World Nationality Music Institute Conference / LIU Dongxing & Marie Christinne Clarisse

Summary of “The Metrical of Yangtze River · The Performance Season of Professional Music Conservatories Exhibition Stage Art” in 2017 / Liu Ye