Research on the Theory of Compositional Technique

On Bartok’s “Night Music” with Its Minimal Variation/PENG Zhimin

Beyond Tonality: The Development and Extension of Schenker’s Analysis Theory——After Proofreading the Translation of Felix Salzer’s Structural Hearing/ JIANG Lei

Serial Ordering and Matrix Operation——On the Numeral Properties and Divinity of the Twelve-Tone Series Matrix/XU Chen

A Touch of Glow in the Orchestra——On the Feeling of Chinese Landscape Painting in Chou Wen-Chung’s Music/SHEN Yunfang

Research on Chinese Music History

Overview the “China Bells” in Zhou Dynasty / PAN Jianming

The Historical Context of Xu Changhui’s The First Draft of Taiwan Music History/ TIAN Kewen

Study of Western Music History

Totality, Continuity or Contingency, Discontinuity?——Historical and Philosophical Analysis of Two Issues in the Renaissance Music/HE Kuanzhao

A New Interpretation to Schubert’s “Trout” Quintet in A Major——Reconsideration of the Metaphor and Structure/QIAN Yingzhou

Research on the Theory of Chinese Music

Talking about the Musical Culture of the Hejiaying Drum Music Society in Xi’an Drum Music/YAN Ruoyu

Analysis on the Empty Word with the Tune in the Seedling Song Luoluo Dongin Jianli Area / TANG Yongrong

Research on Musicologist and Music Communication

Educate to the Young Person, Dare to be the First One——The Way of Yang Kuangmin Guiding the Master Students / PU Hengqiang

The Influence of “Notation” in the Digital Media Age on Music Creation and Communication/PAN Haixiao

Research on Musical Performance

On the Relationship between the Revised Composer Bowing and the Music Image Shaping——To take Huang Xunfang’s Sword, a Piece for Violin and Piano as an Example / ZHANG Ying

On Ye Xiaogang’s “December Chrysanthemum——For Flute and Piano” with Performance Analysis/YAN Yifei

Review of the Studies on

Literati’s Character and Criticism Essence——On the Academic Features and Epoch Value of the Collection of Liang Maochun’s Music Review and Criticism/YI Deliang

Approaching the Real Goguryeo——Reading Wang Xidan’s Musical Archaeology Study on the Murals in the Tomb of Goguryeo in Ji’an Area/WANG Zichu

Retrospection and Reflection on the Study of the Minority Nationalities Musical Instruments in Southwest China/GAN Shaocheng & WU Yiyue