Research on the Theory of Composition Technique
An Interpretation of LIU Zongyuan’s Three Pavillions of Ling-Ling from the Perspective of Musical Form —And the Minimum Requirement for Sonata Form / PENG Zhimin
Study of Orchestral Music Qing-Diao— Concept, Technique and Culture of JIA Guoping’s Music / ZHANG Wei, HUO Fanchao
Composing Technique and Cultural Characteristic of Professor KUANG Xuefei’s Homeland: Suite on Themes of Hubei Folk Songs/ TIAN Kewen
The Inspiration of Traditional Tonal Space in“Tongyun Sangong” to Contemporary Chinese Music Composition / WU Runhua
A Comparative Analysis of the Versions of Sonata Form Items in The New Grove Dictionary of Music and Musicians/ ZHENG Zhong, WANG Xiaofeng
Research on Jingchu Music Culture
A Question to History — an Overview of Jiang-Han Methodological Long Song / YAN Weixin, HUANG Chaofen
A Research Study of “Da Dai Shi” in Yunxi County / LING Qi, GE Ting
Research on Western Music History
Dramatic Connotation and Performance Practice of Concertos — An Extended Discussion Regarding Kerman’s Concerto Criticism / SUN Hongjie
Women in Byzantine Musical Culture / HE Xian
Research on Chinese Music History
The Note Series Combination of Combined Chime Bells in Pre-Qin Period / WANG Youhua
A New Interpretation of Confucius’ Speech Regarding Rites and Music — Centering on the Three Speeches of “Governing the Country by Propriety and Compliance”, “Building the Character through Music” and “Learning the Truth in the Morning”/ SUN Shangyong
A Study of DU You’s Thoughts over Rites and Music Under the Perspective of Ideological History — Take Tong Dian as an example / WANG Wei
Research on Musical Performance
Analysis of GE Ganru’s Solo Keyboard Works / ZHANG Yiming
Problems Regarding the Execution of Ornamentations in Mozart’s Piano Works — An Introduction to Interpreting Mozart, the Performance of His Piano Pieces and Other Compositions/ XU Hong
Translation
Time-Space-Perspectives: Diachronism, Synchronism, and Multichronism / Max Peter Baumann (author), MA Li (translator)