《黄钟》2021年第三期英文目录

Research on the Communist Party of China and New Music

Column Guide Language / TIAN Kewen

Development Context of Revolutionary Music in Central Soviet Areas / LI Shiyuan

On Music Composition in the Yan’an Period / XIANG Xiaogang

The Strong Voice of the Times Pools Strengths—The Birth, Dissemination, and Identification of the March of the Volunteers / HAN Dingdong

A Study of Revolutionary Songs from Hubei-Henan-Anhui Revolutionary Base / YANG Fan


Research on the Music of Reminiscence

Column Guide Language / Joseph S.C. Lam

An Experiment in Exploring the Reconstruction of the Sound of Ancient Chinese Music—Preliminary Discussion of “Music of Reminiscence” Composed by HUANG Xunfang / PENG Zhimin

Practice and Theoretical Consideration of Music of Reminiscence of Song Dynasty Written for Chime Bells and Orchestra—An Interview with Professor HUANG Xunfang about “Bell and Chime Ritual Music” / HUANG Xunfang, HUANGZHONG’s Editorial Board

Music of Reminiscence: The Truth of History, the Beauty of Music / LI Youping


Special Edition in Memory of Prof. YANG Fang

About Pengzike’s Tunes / YANG Fang

A Review of YANG Fang’s Research on Folk Music / KUANG Xuefei, SUN Xiaohui


Research on the Ethnomusicology

Composer JIA Daqun in the Perspective of Ethnomusicologist— “Oral and Textual Music Fieldwork” with the“Poetics of Music Culture”/ LUO Qin

Education in Performance and Performance in Education—Reflections on the Tours and Educational Activities of the ZHOU Family Band and the Yandong Grand Singers of Dong Ethnic in Europe and America / MU Qian


Research on the Western Music History

The Absence of Women: The Tragedy of Patriarchy in Franz Schubert’s Lied Erlkönig/ LIU Xiaolong

The Meaning of Mystical Form behind Schoenberg’s“Atonality”Transformation / YUAN Lijun


Research on the Theory of Composition Technique

Conception of Noise Music and the Organization of Rhythm, Timbre, and Texture—Design and Devices of Rhythm and Timbre in Percussion Ensemble Ionization by Varése / GUO Xin


Reviews and Translation

Reading Susan McClary’s Conventional Wisdom: The Content of Musical Form / YAO Yaping

A Practical Demonstration of Schenkerian Analysis: The Opening Theme of Beethoven’s Op. 26/ David Beach (Author); CHEN Binbin, WANG Zhongyu (Translators)


Research on the Musical Performance

An Analysis of the Intonation Problem of the Current Sound Hole Arrangement of Bamboo Flute and Its Solution / XU Peng

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