Column on Museum Musical Heritage and Cultural Curation Research (I)

When the Liberal Arts “Forming an Alliance with” Digital Technology, Musical Heritage “Comes Alive” — Experimental exhibition of “Listening to and Seeing Hunan through its Musical Heritage and Stories” / CHEN Xuliang

Presentation and Narration of Musical Heritage Exhibitions — Taking the exhibition of “Harmony: The Power of Music — a Culture of Early Chinese Musical Instruments” as an example / WEI Mian

Changes in “Instruments” Reflect Changes in “Sounds” — Taking the “Review of Centurial Evolution of Erhu and WANG Genxing’s Artwork” exhibition as an example / XING Yuan

Memorial Column on “Echo of the Wind: Music Composition Seminar of Professor LIU Jian”(I)

In Memory of LIU Jian and His Music / PENG Zhimin

To Compose Music that Meets the Need of the People As LIU Jian Did — Reflections on the past with LIU Jian / FANG Shi

Growth, Disintegration, and Rebirth — Analysis of polyphonic thinking and techniques of LIU Jian’s electronic music Offertorium / YU Bo

A Study of Creative Features of Chamber Music Bardos / JI Hua

Research on the Ethnomusicology and Translations Paperwork & Fieldwork — Ascending spiral musical ethnography writing / LIU Guiteng

Non-Nationalists and Other Nationalists / Richard Taruskin(Author), WANG Yingjue(Translator), GUO Xin(Reviser)

Research on the Theory of Composition Techniques

Invariant and the Pentatonic Twelve-Tone Serialism Transformation Tonnetze / XU Chen

On the Practical Significance of the Neo-Riemannian Method in Music Analysis — Taking the 1st movement of Brahms’ Symphony No.2 as an example / LI Tianran

Core Techniques and Composition Ideas in CHEN Qiangbin’s Poem of Embroidery / OUYANG Xinbo

Research on the History of Chinese Music

Distinct Concept of Music Form in the XinBian NanCi DingLv / WANG Zhiyi

Formation of the Correspondence between the Five Tuning Modes for Guqin and the Seven Keys of Gong-che System / SANG Kun

Research on Applied Music

Expanding the Classical Music Audience Base under Seasonal Mode — Taking Shanghai Symphony Orchestra as an example / WEI Xing

A Bibliometric Study of Music Consumption Based on WOS Database (2012-2022) / LIU Lian

Review of the Studies on

Academic Inspiration from WANG Zichu’s Introduction to Chinese Music Archaeology / DONG Jingyi

The Character of Words and the Realm of Songs — Inspired by two “Butterfly Love Flower” ancient poetry art songs / GU Xiao

The Catalog of HUANGZHONG in 2022